As an ambidextrous artist, I draw with both hands simultaneously—an intuitive choreography that produces intricate, flowing compositions. This practice shaped my collaboration with the Hi-DARS Lab at Texas Tech University, where we explored how robotics and code could reflect the expressive gestures of the human hand.

We created a system where two industrial robotic arms were programmed to mirror my dual-handed movements. More than mechanical replication, the machines became extensions of my body, translating analog gestures into precise, choreographed performances in space.

This project also draws from my synesthesia, where sound transforms into shape, color, and line. Rooted in music, my visual language guided the robots through pre-encoded instructions derived from my drawings, bridging human intuition and machine logic in parallel interpretations.

The result, Ambidextrous Robotic Light Painting, began as twelve intertwined portraits—each traced in continuous curves—that evolved into frameworks for robotic motion. Using light, long-exposure photography, and videography, the lines expanded into a language across 2D, 3D, and 4D, where time, space, and gesture converge.

Now exhibited at the Museum of Art and Light, the work exists as both installation and performance: a dialogue between gesture and code, analog and digital, human and machine. Here, technology acts not as a replacement for creativity but as its amplifier, extending artistic expression beyond the hand and into space itself.