by Alex Kittoe
As The Days Go By
1.28.2026
As the Days Go By marks a new collaboration between visual artist and photographer Alex Kittoe and the Museum of Art + Light, presented in partnership with ICONIC as part of the MoA+L Permanent Collection Series.
Bridging the ephemeral and the enduring, this release exists both as a physical print and a dynamic digital artwork, responding in real time to the day/night cycle of the collector’s location.
Editions from the series will be made available to collectors, each existing as a dynamic NFT paired with the option to acquire a corresponding hand-signed physical print. Prints may be collected as a daytime edition, a nighttime edition, or as a diptych uniting both states, offering complementary expressions of Kittoe’s exploration of time, light, and presence.
Edition number one of As The Days Go By, in both NFT and print form, will be accessioned into the Museum of Art + Light’s Permanent Collection, marking the first photography-based work to enter the museum’s permanent holdings.
AS THE
DAYS
GO BY
ABOUT
AS THE DAYS GO BY
As The Days Go By (Daytime), 2025
As The Days Go By (Nighttime), 2025
“As The Days Go By is a dynamic digital collage composed of eleven of my own photographs, all sourced from my personal archive and taken across Italy, Colorado, Montana, North Carolina, and Florida. The piece transitions in real time, appearing in daylight hues during the day and shifting into moonlit tones at night and in the early morning, mirroring the natural rhythm of time passing.
I began working with digital collage during a period when I was unable to travel much. Photography has always been rooted in exploration for me, and being confined created a tension between the desire to make new work and the inability to experience new places. That tension became the foundation of my collage practice. I turned inward, digging through my archive and spending hours pairing images that felt intrinsically connected, dissecting and rebuilding photographs to construct entirely new, imagined environments. The goal was to create my “perfect photograph” without leaving home, with the sole constraint that every element originate from my own archive, keeping each work grounded in places I have physically experienced.
This piece began while revisiting a body of work from Italy. The base layer was photographed in Portofino in May 2025 and merges two separate views of the harbor, one emphasizing the water and boats, the other anchoring the scene with dense greenery and a red shoreline building. Combining these perspectives allowed the foreground to feel fuller and more immersive.
From there, the landscape begins to open up beyond the coastline. I’ve always felt drawn to both coastal and alpine environments in my photography, and collage allows those worlds to exist together without hierarchy. Rather than anchoring the image to a single place, the mountains help expand the scene into something imagined, shaped more by feeling than geography.
The transition between day and night became a central part of the work. For the nighttime scene, I focused on creating a sense of quiet and stillness, building the image detail by detail and allowing small elements of light to emerge slowly across the harbor. During the daytime, the foreground takes precedence, supported by a clear, open sky that lets the scene breathe. Instead of choosing one moment over the other, both are combined into a continuous loop, allowing the image to move naturally through time.
By blending photographs from across continents into a single imagined landscape, As The Days Go By becomes both a memory and a metaphor, a place that does not exist yet feels familiar and comforting. The dynamic nature of the piece allows it to live and breathe with time itself. It is a reminder that light is never still, and that the digital medium gives us a new way to express this continual transformation. Dynamic works like this could only exist through digital art, reflecting not just the passage of a single day but our evolving relationship with time, technology, and attention.
Ultimately, As The Days Go By is an invitation to pause and look closer, to recognize the quiet beauty unfolding around us, moment by moment, as the days go by.”
Layer Breakdown: As the Days Go By
Daytime: The base of the daytime composition consists of two photographs taken in Portofino in May 2025 while I was in Italy for my wedding, one looking toward the harbor and the other looking away. The first mountain layer is a green hillside photographed in Steamboat Springs, Colorado during a solo hike in the summer of 2022. The second mountain layers come from the Smoky Mountains in North Carolina and were photographed in 2022 while traveling with my friend for work. The final mountain layer features the Spanish Peaks, photographed near Big Sky, Montana during the summer of 2023 while traveling with friends. The sky was photographed in Steamboat Springs, Colorado on top of the mountain one summer afternoon. All layers in the daytime version were photographed on 35mm Portra 400 film.
Nighttime: The base of the nighttime composition consists of two photographs taken in Portofino in May 2025 while I was in Italy for my wedding, one looking toward the harbor and the other looking away. The first mountain layer is a green hillside photographed in Steamboat Springs, Colorado during a solo hike in the summer of 2022. The second mountain layers come from the Smoky Mountains in North Carolina and were photographed in 2022 while traveling with my friend for work. The final mountain layer features the Spanish Peaks, photographed near Big Sky, Montana during the summer of 2023 while traveling with friends. The sky gradient, clouds, and birds were sourced from various photographs taken at sunrise in Venice Beach, Florida in 2025. The moon was photographed in Seabrook Island, South Carolina in 2025 and is the only element sourced from a digital photograph. All lights in the scene, including the small lantern on the boat, were added individually in Photoshop. All layers in the nighttime version, with the exception of the moon, were photographed on 35mm Portra 400 film.
ABOUT
ALEX KITTOE
Alex Kittoe is a photographer and visual artist from Kansas City, with a deep love for exploration and storytelling. His work reflects a desire to live a life driven by curiosity, creativity, and a sense of freedom. Whether in the stillness of the mountains or the movement of a crowded city street, Alex chases fleeting moments that feel cinematic, quiet scenes filled with atmosphere, memory, and mood.
His work draws from both personal experience and a constant pull toward the unknown, holding a subtle tension. It captures the intimacy of a passing moment while evoking something timeless. Alex is captivated by the space between solitude and connection, in how light hits a window or a shadow stretches across the floor, and in the power of imagery to hold what words often miss.
His work spans continents and cultures, but maintains a consistent emotional tone: a longing for something just out of reach and the joy of following that feeling wherever it leads. With a distinct use of color, light, and atmosphere, his artworks invite stillness, evoke nostalgia and wanderlust, and creates room for viewers to pause and reflect.
Alex’s work is rooted in travel and a sense of constant movement, but it's ultimately about presence. He photographs not just to record what he sees but to document a life intentionally lived, a map of curiosity, feeling, and place.
His work is both an escape and a mirror, offering a quiet reminder to pay attention to the beauty in the in-between.
Digital + Physical Editions
Collectors of As The Days Go By will have the exclusive opportunity to purchase a matching hand-signed and numbered print. The print may be selected in either the daytime or nighttime version, or acquired as a diptych featuring both states, rendered on museum-quality Hahnemühle Photo Rag paper.
Print Details
Paper: Museum quality Hahnemühle photo rag paper.
Signature & Edition: Signed and numbered by Alex Kittoe
Print Size: 14 x 20 in. / 35.5 × 50.8 cm.
Numbering: Your print edition matches your As The Days Go By NFT edition number
Following the NFT release, Iconic will open a print claim portal where collectors can purchase hand-signed and numbered prints, with eligible collectors receiving a direct email notification as soon as the print claim goes live.
Buyers are responsible for any applicable import duties or VAT on their print purchase. Please allow up to 10 weeks for your print to arrive.
As The Days Go By
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Collection Size
150 Editions & Matching Prints
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Purchase Price
0.05 ETH
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Print Price
$150 per print / $250 for the diptych
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Purchase Link
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Release Date & Time
Wednesday, January 28th at 12PM EST
ABOUT:
THE RELEASE
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Every collector of As the Days Go By by Alex Kittoe will will have the opportunity to purchase a matching, signed and numbered print.
Collectors can choose the daytime version, the nighttime version, or acquire both as an exclusive diptych.
Following the NFT release, Iconic will open a print claim portal where collectors can purchase hand-signed and numbered prints, with eligible collectors receiving a direct email notification as soon as the print claim goes live.
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Each collector of As The Days Go By will receive a dynamic NFT on the Ethereum network, which transitions between the daytime and nighttime states based on the local time of the collector’s location. In addition, NFT owners may claim a corresponding physical print, hand-signed and numbered by the artist.
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The Museum of Art + Light’s Permanent Collection Series is a groundbreaking initiative designed to celebrate and preserve the evolving world of contemporary and digital art. This series features exclusive releases that bridge the physical and digital realms, offering collectors the opportunity to acquire limited-edition artworks from some of the most influential and innovative artists of our time.
As part of each release, a piece will be added to MoA+L's permanent collection, further enriching the museum's legacy and commitment to showcasing groundbreaking works. By curating these unique pieces, the Permanent Collection Series not only engages the global art community but also solidifies the museum's role in exploring the dynamic intersection of art and technology for generations to come.
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About
The MoA+L Permanent Collection Series
The Museum of Art + Light’s Permanent Collection Series is a groundbreaking initiative designed to celebrate and preserve the evolving world of contemporary and digital art. This series features exclusive releases that bridge the physical and digital realms, offering collectors the opportunity to acquire limited-edition artworks from some of the most influential and innovative artists of our time.
As part of each release, a piece will be added to MoA+L's permanent collection, further enriching the museum's legacy and commitment to showcasing groundbreaking works. By curating these unique pieces, the Permanent Collection Series not only engages the global art community but also solidifies the museum's role in exploring the dynamic intersection of art and technology for generations to come.
About Iconic
At the core of Iconic’s mission is the integration of traditional art institutions and emerging digital networks.
Founded in 2015, Iconic is a global pioneer in expanding the reach of cultural institutions and the arts. Iconic partners with museums, digital artists, and brands to produce incredible digital and physical art for cultural collectors around the world.
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