SUMMER WAVES

by A-Mashiro

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The elements themselves were already part of my visual language, but by changing the way I used them, I discovered a space within my own work that I hadn’t seen before. It felt like I had found a new world of my own.
— A-Mashiro

SUMMER WAVES BY A-MASHIRO

Some works continue an artist’s language. Others expand its possibilities.

Summer Waves does both.

For more than two decades, A Mashiro has worked with circles, lines, color, Japanese patterns, and the natural world. These elements have become a visual language of their own, shaped across years of physical and digital creation. Traditionally, his patterns remained contained within forms defined by circles and lines.

In Summer Waves, something changed.

While searching for what the composition still needed, A Mashiro allowed the wave pattern to escape those boundaries and move across the entire image. What began as an experiment unexpectedly transformed the work. The composition no longer contained pattern. It moved through it.

The discovery did not replace A Mashiro’s existing language. It expanded it. As he describes it, allowing pattern to move freely across the image has given him “one more possibility” to carry into whatever comes next.

Summer Waves captures that moment of discovery: familiar elements rearranged until they reveal somewhere the artist had not been before.

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ABOUT

SUMMER WAVES

I grew up near the sea. The view of the water, the smell of the tide. I still love them, and I have been painting the seasons for a long time now; Summer Waves continues that line of work. 

While I was working on it, the paintings of David Hockney were somewhere in the back of my mind. Nothing of his appears in the piece directly, but I wanted to make a painting with that kind of bright atmosphere. 

I have painted circles and Japanese patterns many times. This time, though, instead of only enclosing the pattern within lines, I set the wave motif boldly across the whole picture. Doing so let me express a brightness that isn't confined by a frame — and it also feels like I found a new world of my own.

Close-up of a stylized black signature or handwritten text on a white background.

ABOUT

A-MASHIRO

A Mashiro makes geometric abstractions that hold order and chaos in the same frame. Circles, lines, and squares settle over flowing, ink-bled grounds, each element placed, in his words, “as if they were there originally.”

Raised on Japan’s coast in a family home more than 150 years old, he grew up surrounded by traditional patterns, nature, and the quiet logic of functional beauty. More than two decades of oil and acrylic painting followed, shaped as much by Western approaches to color and composition as by the Japanese visual traditions he inherited. In 2021, he carried that painter’s hand into digital media, where the underlying discipline remains unchanged: every work is a search for balance, built stroke by stroke.

For A Mashiro, creating is a way of steadying the mind, his own first, then the viewer’s. That pursuit has taken his work to exhibitions in Tokyo, Seattle, New York, Miami, and across Europe, as well as projects with Bright Moments in Tokyo and Venice and work on SuperRare. He is equally committed as a collector and curator, introducing international artists to Japan while helping connect Japanese artists with the wider world. He lives and works in Tokyo.

Digital+Physical

Summer Waves exists first as a digital painting. Its physical edition is not intended simply to reproduce it.

For the 24 × 36 inch (61 × 91.4 cm) print, A-Mashiro worked with 360°GRAPHICS, a Tokyo printmaking studio founded in 1982. The work is printed on Kakita 300, a Japanese silkscreen printmaking paper. The studio has produced works for artists including Yayoi Kusama, Tadanori Yokoo, and Yoko Ono.

The underlying image is printed in giclée. The first layer of medium gives the surface a distinctive sheen while also protecting the image. The second layer of ink renders the wave pattern in silver, giving the surface a physical character that cannot be experienced on a screen.

The result is a different encounter with the same work: one transmitted through light, the other through ink, surface, and scale.

The edition is limited to 25. Each $750 acquisition includes the digital artwork and its matching museum-quality print, hand-signed and numbered by A-Mashiro. One work, two encounters.

Edition
25
Includes
Digital artwork and one hand-signed print
Size
24 × 36 inches (61 × 91.4 cm)
Process
Giclée with medium and silver silkscreen
Paper
Kakita 300, Japanese silkscreen printmaking paper
Studio
360°GRAPHICS, Tokyo
Signature
Hand-signed and numbered by A-Mashiro
Price
$750

Buyers are responsible for any applicable import duties or VAT on their purchase. Please allow up to 10 weeks for the print to arrive.

Closer look

Summer Waves by A-Mashiro

  • Collection Size

    25 editions

    Available on a First-come, first-served basis.

  • Purchase Price

    $750 USD paid via ETH on Transient Labs

  • DIGITAL + PRINT

    Each $750 purchase includes the digital artwork and one museum-quality, hand-signed physical print.

    Buyers are responsible for any applicable import duties or VAT on their print purchase. Please allow up to 10 weeks for your print to arrive.

  • Pre-Sale

    ICONIC Art Pass Holder Presale: Tuesday, August 18th, 12 PM EST through Wednesday, August 26th at 10 AM EST.

  • Public Sale

    Wednesday, August 26th at 12 PM EST.

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